#in the same vein as billionaires or scotsmen or mafia bosses etc

[msmargaretmurry]

[coffee cup] romance novels: when do they work for becs and when do they not!!!

oooh okay! so i often call myself a romance novel enjoyer but not a romance novel lover, because romance as a genre often involves things that are at odds with what i love most in fiction. which is fine! many people love those things, there is a reason the genre is like that! it just means that it's rarer for me personally to find a romance novel that works for me on every level. (the things i'm talking about are, i don't usually like alternating POVs between romantic leads, i usually prefer my romantic storylines to be involved with the plot but not the MAIN plot, and my favorite romantic relationships in fiction are ones where i don't know going in that they're going to get together. i LOVE catching a detail or an interaction or sensing some chemistry and going "oh?? are they--?? and then greedily gathering more details as i read to try and figure out what feelings are happening. obviously this cannot happen in a romance novel because you know the endgame from the start!)

so what DOES work for a romance novel for me? i'm sorry this got so fucking long and it's mostly complaining so we're putting it under a cut.

firstly it has to be well-written and well-edited. i'm sorry but a lot of romance is not well-edited and it's so distracting to me. i'll often let a little bit of sloppy writing slide if it's a story i feel feral about, but because romance as a genre isn't built to make me feral, i need the writing to be tight or i'll get so distracted by nit-picking. like, i really wanted to love a caribbean heiress in paris but the female lead "muttered under her breath" TWICE on the FIRST HALF-PAGE. this is a whole different conversation but i do place the blame for this on publishing houses who do not care if these books are well-edited because they think their audience has low standards.

secondly, i need things to happen for real reasons. i listen to the "fated mates" podcast a lot because i find the craft side of it all super interesting. the hosts, who really love romance novels (as opposed to me, a romance enjoyer but not lover), often talk about things in romance novels happening or existing for "romance reasons," which are reasons that aren't really justified by the story/plot but that the reader goes with anyway for the sake of the story. romance reasons are almost never enough for me. i need there to be real worldbuilding. if it's contemporary romance, i need it to jive with how things work in the real world. if it's historical romance, there are different rules, because historical romance can run the gamut from trying to actually be historically accurate to totally made-up societal rules in a historical setting. i will meet the book where it's at, but i need the internal world to make sense. no romance reasons.

thirdly, relatedly, i need the author to know their shit. if a character is an athlete, i need the details of that sport to be accurate. if your character works as a nonprofit, i need it to be clear that the author understands the basics of how a nonprofit works. if your character is involved in politics, do not make up how politics work to serve your story, because i will be too annoyed to enjoy it. i read a het hockey romance the other day where there was a rumor about a popular player retiring an the author had a reporter from the ASSOCIATED PRESS show up at the LOVE INTEREST'S HOUSE to try to get details about it and then MORE MEDIA OUTLETS SHOWED UP TO CAMP ON HER LAWN about it. none of that is how any of that works. i don't need every detail to be perfect. i just need things to feel real.

fourthly, relatedly, i need real stakes and believable conflict and deeply drawn characters. i won't love a book just because it contains a trope i like. i need the trope to work with the characters and within the emotional stakes of the story. i need my romantic leads to have something inside them then genuinely needs healing, and i need to believe that they are people who make each other better. (note that this is for romance novels. in other genres i love weird little freaks who make each other worse.) i know some people like very fluffy low-stakes romances and i support them but those are not for me. the stakes need to not just be about the romance; there needs to be other stuff doing on, both internally for the characters and externally in the world around them.

lastly, if it's het romance, it needs to not be fucking weird about gender in a getting off on traditional gender roles kind of way. i WILL be turned off if you keep telling me about your tiny dainty fragile heroine getting claimed by your big strong serious man hero. like i have enjoyed plenty of historical romances set in very gendered societies where gender roles play a huge part in characters' lives, but you can have gender in grand and delicious ways without making patriarchy the kink. if you are making patriarchy the kink then your book is not for me.

oh sorry two more things. i love it when a romance author tries something off-beat for the genre. very little romance feels truly fresh and new to me, so it's exciting when an author pulls that off. also: when a romance novel has sex scenes that are also character-driven, not always 100% perfect sex, and don't feel skippable. that's the good stuff.

sorry this mostly just turned into complaining about things that i don't like 😂 but it really is for me less about "these things work for me" and more about "these are the things that DON'T work for me and i kEEP RUNNING INTO THEM." here are some of my favorite romance novels: evvie drake starts over by linda holmes. the countess conspiracy by courtney milan. think of england by kj charles.